FableCut

ronak-create/FableCut is ranked 4,154 among these 8 peers; RareSense/Nova3D is ranked 4,152.

**A browser video editor that AI agents can drive. Edit it by hand, from the UI, or let an AI agent (Claude Code, Claude Desktop, or anything that speaks MCP/REST) cut your video for you while you watch the timeline update live. Why it's interesting Most "AI video" tools hide the edit behind an API. FableCut flips that: the **project file is the interface**. A human and an agent can work on the same timeline at the same time

. Enable **Link timeline and Project bin selection** so picking a timeline clip highlights its media in Project, and clicking a Project item selects every timeline clip that uses it (off by default). Agents see locks too: refuses to edit locked clips unless the op says . Drag any selected clip to move the whole group; Delete removes all selected; S splits all selected at the playhead. Inspector shows an "N clips selected" banner. The last used transition is remembered as the

default. Drag the overlay triangle to adjust duration; Delete clears the focused transition. Preview and export run through the same mix, so what you hear is what renders. 1770 loudness or sample peak) and set their gain to hit −14 / −16 / −23 LUFS or −1 dBFS. Linked stems share one gain so a stereo pair stays balanced. Corner grips drag fades in and out, drawn with their real curve (constant power, constant gain or exponential). **Shift+D** crossfades the cut

next to the selection, borrowing spare media from both sides so nothing else moves. It rides on top of the music's own volume, so re-running or clearing it never touches your levels. Presets: Clean voice, Podcast, Radio, Deep voice, Telephone, Cinematic, Wide and Muffled, all tweakable afterwards. Preview and export run the same effects. Scrubbing or frame-step retargets the held slice; meters stay live. Preview dims the overscan; drag the **Export frame** handle to reframe (e. Magnified view

uses **native scrollbars** so overflow stays reachable; middle-click or Alt +drag pans. 5×/2×/4×, the other key turns around, K stops. Hold K and tap J / L to step a frame, or hold both to crawl at ¼ speed. The Program Monitor shows playhead as ; when markers are set, IN, marked duration, and OUT stack on the right. **Export** has a Range dropdown (Entire timeline / IN–OUT; defaults to IN–OUT when markers exist) so you can keep markers

for split/trim and still export the full sequence. Enabling **Limit** constrains playback to the marked range and maps Home / End to the IN and OUT positions rather than the full timeline. t splits clips at the markers; ⇧t trims clips to the work (between marker in and marker out) area. g jumps the playhead to the next shared gap (wraps; respects IN/OUT when both are set). ⇧G closes the gap under the playhead by pulling later clips left

on all targeted tracks (locked clips stay put). Every tool respects source length, targeting, locks and linked audio, and shows